Democracy Anew?
23 June 2018 – 6 January 2019
"Democracy Anew?" – a major international group exhibition including Francis Alÿs, Allora & Caldzadilla, Maurizio Cattelan, Olafur Eliasson, Damien Hirst, Zoë Leonard, Goshka Macuga, Takashi Murakami, Sondra Perry, Pascale Marthine Tayou, Luc Tuymans and Rachel Whiteread.

"I want a dyke for president." It is the first sentence of the exhibition and the opening of the 1992 Poem by Zoë Leonard called I want a President. Although written more than two decades ago by a feminist activist poet in the USA, it has lost no relevance either to the US or to Ukraine.

The poem provokes considerations toward recent global elections that shifted balances of power and sharply points towards the upcoming presidential election for Ukraine on March 31, 2019 as well as the Parliamentary elections in Ukraine on October 27, 2019. This provocation is present, future and past.

Democracy Anew? exhibition departs from a double question: "Do we need to rethink democracy? How to adjust or adapt this system to survive the challenges it faces today?" or "Do we need a new model? Is democracy losing? Is the representative power model is no longer functional and up to the task?" Throughout the exhibition, we do not offer a linear view to these questions we pose but rather suggest a complicated framework of thoughts, risks and dreams that define or threaten democracies as we know them today.

The first floor offers a historical and conceptual framework for the exhibition. The works of Luc Tuymans, Zoë Leonard, Allora & Caldzadilla and Rachel Whiteread offer reflections on the model of representative democracy: its failures and imperfections but equally at its capacity to inspire hope and brotherhood. Three robot-drawings (all 2018) by Goshka Macuga are juxtaposed to this. They are a playful gesture alluding to the finiteness of human dominance to interpret history or predict the future in favor of possible artificial intelligence.

Throughout the exhibition, one of the major challenges democracies face today keeps coming back: "How to protect democracy as an open society?" Especially the 2008 work Don't Cross the Bridge Before you Get to the River by Francis Alÿs tackled this challenge head on. Today's political choices to close borders, separate children from their families when trying to immigrate or keep people afloat in mid-sea threaten the fundamental openness of our societies and therefore democracy itself.

It touches upon the fundamental principle of a democracy to protect and emancipate the minority. This is a historical struggle of power represented in the works of Martine Tayou, who looks at this from an African point of view, and in the work of Sondra Perry dealing with the African-American struggle in the US.

Many of those risks and challenges become more complicated to handle in a world where populism and authoritarian regimes seem attractive and successful. An idea projected a newly produced painting by Takashi Murakami or in the works of Maurizio Cattelan.

But throughout, art is one of many forms that offer resistance. Art takes systematically the position of the minority and provokes the status quo. Like the work Still river (2016) by Olafur Eliasson, its provocation is both aimed at itself, generating a polyphony of forms, and aimed at the standards to which a society and its individuals judge their way of life, their future and surroundings.

Contemporary art, just like a good functioning democracy, creates "a sense of possibilities"¹. Looking forward the presidential elections in Ukraine, it's this sense of possibilities we must cherish. To say it with a phrase Zoë Leonard poem: "… I want a candidate who isn't the lesser of two evils…"

Curator – Björn Geldhof, Artistic director of the PinchukArtCentre.

¹Luhmann quote / in The Art of Democracy, Pascal Gielen, pg 7.
Zoe Leonard
I Want a President, 1992
Typewriting on a paper
Luc Tuymans
Die Wiedargutmachung, 1989
Oil on canvas, oil on cardboard
Allora & Caldzadilla
Stop, Repair, Prepair, 2008
Goshka Macuga
Lady Hamilton with Tramp, Putin, Gadaffi , Berlusconi, 2017
Megaphone, 2017
End of Man, 2017
Biro on paper
Luc Tuymans
The Swamp, 2017
Oil on canvas
Rachel Whiteread
Untitled, 2010
Plaster composit
Francis Alÿs
Don't cross the bridge before you get to the river, 2008
Takashi Murakami
Lion Occupying the Throne in My Heart, 2018
Gold leaf and acrylic mounted on aluminum frame, 3000 x 6000 x 50.8mm
(c)Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
Pascale Martine Tayou
Fingers, 2018
Photoprint, paper
Pascale Martine Tayou
Anvil of Democracy, 2018
Anvil, engraving
Pascale Martine Tayou
Sisyphus Fabrik, 2018
Bronze
Olafur Eliassion
Still river, 2016
Damien Hirst
Saint Bartholomew, Exquisite Pain, 2006
Bronze
Maurizio Cattelan
Ave Maria, 2007
Polyurethan, metal
Luc Tuymans
Der Diagnostische Blick VI, 1992
Oil on canvas
Goshka Macuga
Self immolation (Algeria), 2017
Biro on paper
Sondra Perry
Typhoon coming on
Photos are open for usage by mass media.
When using photos, please, note copyright information.
Photographs provided by the PinchukArtCentre © 2018. Photographed by Maksym Bilousov.


Tuesday through Sunday from 12:00 until 21:00
Closed Monday
Admission is Free

Opening hours

Location

1/3-2 Velyka Vasylkivska / Baseyna str., Kyiv, Ukraine
+380 44 590-08-58
[email protected]